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A collection of featured videos from the ANZAAE 2021 Conference in Otautahi, Christchurch.
NZQA’s National Visual Arts Moderator, Geoff Harris discusses suitable contexts and performance expectations for NCEA .5 finished work standards.
Sam Eng has been an advocate for Sculpture in the secondary sector for over 20 years. In this presentation he asks the question: Why is Sculpture important to a healthy…
Nigel Borell discusses the thematic narratives and indigenous frameworks of Toi Tū Toi Ora, where as curator he brought 300 pieces of Māori art to Auckland Art Gallery – the…
Bringing extensive experience in Visual Arts education and Kaupapa Māori, Donna Tupaea-Petero discusses the rich history and advocacy that Visual Arts has maintained in affording a place for Māori knowledge…
Utilising forms from customary Māori arts practices, Artist, Educator and Director, Regan Balzer identifies the distinct differences of a Māori world view and what this means within a local, national,…
This presentation focuses on how secondary visual art teachers support Pasifika students’ success as Pasifika. Presenting the findings of Dagmar Dyck’s masters research, how visual arts education is a powerful…
Keeping it photographic is a presentation that looks closely at the journey we as teachers take to guide our students towards completing successful, authentic, and meaningful photographic projects.
Welby has taught at all levels of the New Zealand education system and is an outspoken critic of dehumanised systems of learning and the preoccupation with micro-managing teachers, questioning the…
Esther and Jay from Pukekohe High School demonstrate using cartoon and character development, zines, illustration, digital methods, and artist models from Year 10 to extend senior student design outcomes.
Karl Chitham is Director of the Dowse Art Museum, and in this talk he talks about Crafting Aotearoa – a publication that spans three centuries of making and thinking in…
Brian Lucid is Head of Wellington School of Design at Massey University. In this presentation, Brian, critiques the role of human-centred design in driving innovation and how this addresses some…
Peter O’Connor is Professor of Education at the University of Auckland. Peter’s most recent research includes multi and interdisciplinary studies on the creative pedagogies and the arts, the nature of…
Francis Potter is the Head of Faculty at Takapuna Grammar School. His talk will deal with approaches to teaching and learning in Visual Art in the IB curriculum for Years…
Mic Watts is a Learning Coach at Hobsonville Point Secondary School. As well as an overview of the curriculum structure, he will talk about the challenges and successes of some…
A practical workshop with quick examples of: eco-printing, linear mono printing, tonal monoprint, collograph, drypoint, chine colle print, and will be able to view and discuss pronto plate prints, reduction…
Kalina is an Art and Design teacher at Riccarton High School. This kōrero is about the learning journey that addresses a need to engage a culturally diverse group of ākonga…
This presentation examines and reviews contemporary Photographic and Design projects that utilise graphic, text and lens-based modalities.
In this presentation Jay focuses on teaching and learning strategies for moving image, with an emphasis on the implementation of new technologies to extend the learning of students within a…
“Being propositional within temporary practices requires you to remain open, flexible, contingent, resourceful and lateral. The methodological aim is to make plans that set something in motion – but which…
Jonny Walkman is a full-time freelance mural artist with over twenty years of professional experience. In this workshop, sponsored by Gordon Harris, Jonny discusses his work and shares some tips…
This presentation is a case study on the Kerikeri High School Art Department’s journey into Digital Moving Image (DMI). Hear about the challenges and opportunities DMI has presented for Visual…
As an award-winning illustrator, author and publisher who’s been self-employed in New Zealand for over 30 years, Bruce knows how tough it is to maintain one’s own artistic integrity. In…